Making of The Seventeenth Step
After I copied the whole body of text into Word and printed it on nice paper (after some hours of editing, such as replacis soft returns with hard returns in the entire document), I stitched the book with flax thread. When I thought about if I should wax the thread or not, then I remembered Sussex and the bees, so beeswax it was.
After stitching it, I glued the spine and… argh, I really don’t know what it’s called in English, but well, I shaped the spine. With a hammer. Then French headbands. I used silk thread, grey and blue for Holmes and Watson. There is a third thread that is just for tying the knots around, that you never see, and I made that red for hidden love, because I’m silly like that.
After gluing on the cover boards I measured the leather for spine and corners. The lovely green machine is a Shärf-fix, you use it to thin out the edges of the leather. I glued on false raised binds (direct translation from Swedish, I really need to learn some English terms), then pasted on the leather.
Then time for the paper. This, too, is silver and blue for Holmes and Watson, I made it especially for this book. (The paper on the box, which I forgot to take a good picture of before cutting it up, is made especially for this book to, with the London fog of the 1880’s as inspiration.)
Then box-making, a french box with a hollow spine. Last, I printed the title with “gold” foil.